Taboo is a dark tale of love and death, treachery and revenge with supernatural undertones, set in pre-Victorian London. Max Richter explains, The score comes directly out of the trajectory of the central character: an avenging dark angel, as unstoppable as fate itself. The show plays as a very dark fairy tale. These aspects (the hallucinatory environment, and the irresistible force of Mr Delaney) are embodied by the two main themes. The first theme is a haunted waltz base on a falling chromatic line called a lament bass. For Taboo I have made a deceptively sweet-sounding version, so that we are lulled into a false sense of security. The second theme is that of our protagonist, Mr Delaney. His inexorable progress is evoked by the perpetual-motion ostinato figures in the orchestra, which pivot around a bass line that moves between the interval of a tritone called Diabolus in musica, because of its destabilising effect on harmony. Mr Delaney is some sort of Diabolus himself. (bron: Deutsche Grammophon)
Nederlands
| Titel | Taboo : Music from the television drama |
| Auteur | Max Richter |
| Type materiaal | CD |
| Uitgave | Deutsche Grammophon, 2017 |
| Overige gegevens | 1 disc |
| PPN | 412719274 |
| Taal | Nederlands |
| Onderwerp algemeen | Neoklassiek |