Vesperae (2024)

(...) "Listeners can let themselves be borne on the waves of Tuma’s diverse and, actually, entertaining style. His music does not feature tiringly long polyphony but elegantly mixes all the compositional elements of the time. What is more, owing in part to the top-notch musicians Tuma had available at the court of Empress Christine in Vienna, his accompanying lines and basso continuo are really luscious, creative and immensely impressive,” says Roman Válek." (presto music.com)

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