In: De Zwerfsteen : periodieke uitgave van de Historische Vereniging Steenderen; (2010) nr. 4, p. 6-7
In: De stentor [dagblad/krant] : Veluws dagblad; 28 december 2010, p. 28-29
In: Ampt Epe; (2010) nr. 179, p. 14-16
In : Old Ni-js : lijfblad van de Heemkundekring Bergh : (2008), nr. 70 p. 20
In : Land van Lochem : tijdschrift van het Historisch Genootschap Lochem Laren Barchem : 7 (2008), nr. 3 p. 11-19
"The tarogato. This instrument was a symbol of Hungarian aristocracy, and the favorite woodwind instrument of Governor Miklós Horthy. Manufacturing in Hungary ceased after World War II, though tárogatós continued to be made in Romania and other countries. In the 1990s several Hungarian makers started producing the instrument again. A modern tárogató may occasionally be heard in Act 3 of Tristan und Isolde by Richard Wagner where it has become traditional in some opera houses. In 1928, the British music journal Melody Maker reported that the Oxford-based clarinettist Frank Dyer was using "a taragossa, a novelty Hungarian instrument which is a cross between a saxophone and a Cor Anglais" with his Symphonic Dance Orchestra. No such instrument as a "taragossa" exists: the rest of the journal's description fits that of the tárogató. Dumitru Farcas;, who was born in Maramures, made the instrument known all over the world and was considered to be the most famous tárogató player." (Wikipedia) In : Oud Apeldoorn Actueel : 15 (2008), nr. 6 p. 5-9
In : Naober [Tijdschrift] : vóór het platteland van Gelderland en Overijssel : 2 (2008/9), nr. 5 p. 16-19
In : Borklose Maote : (2003), nr.18, 3-10
In : Noariker Jaorgang : 4, 14-15
In : Noariker Jaorgang : 3, 18
In : Den Schaorpaol : Kwartaalbericht van het Staring Instituut : 19 (1998) , nr.4, 14-15
In : Oud-Zutphen : tijdschrift van de Historische Vereniging Zutphen : jrg. 1 (1982), nr. 5, p. 78-79
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