Opname: 2006
Het ensemble wijst met een muziekdramatische voorstelling vooruit naar het honderdste lustrum van het overlijden van de schilder Jeroen Bosch in 2016. Aanknopingspunt is het schilderij De zeven hoofdzonden. Die zonden worden door Gerrit Komrij tot leven gewekt in zeven geestige gedichten. Liederen zonder tekst uit omstreeks 1500 dienen als vehikel voor Komrijs poëzie.|
"This was the second release in ANS's Obrecht series, and this time turns to some of Obrecht's most abstract music. These remain two of the most imposing masses in his output, and so this interpretation is increasingly a classic, even as performance practice moves along in the intervening decades. The prior remarks: Although the interpretation builds directly on the previous disc, and so does not have the same freshness, it is nonetheless well-considered and compelling. The masses themselves are more difficult, and ultimately the combination is electric. While the Missa Si dedero can seem ponderous and requires a view of the whole structure to really appreciate, the Missa Pfauenschwanz is more immediately appealing for its dance-like qualities. This disc was named my EM Record of the Year for 2000, and continues to be one of the most striking Obrecht albums, particularly for its program." (medieval)
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