"To those who've come to Ibrahim Ferrer through his excellent work on Buena Vista Social Club and its spin-offs, this might prove a revelation. It collects his recordings from the 1960s and 1970s -- the post-Cuban revolution period when he was entertaining Cubans, not American tourists. And entertain he certainly does, coming at songs with an energy that wasn't present in his later work. Not that he's lacking in sophistication, as "Una Fuerza Immensa" ably shows -- he could be as subtle as anyone. If there's a problem, it's with the instruments. Listeners have become used to an acoustic sound in their classic Cuban music. This brings in some very grating electric piano that simply never gels with the smoothness of the songs. But it has to be said that on every cut the overall band is formidable. They swing with power and create the type of music that's guaranteed to get the feet moving across the floor. The years have obviously brought finesse to Ferrer's style" (AllMusic)
Ibrahim Ferrer's young voice in the 1950s before his singing in the Buena Vista Social Club. Great early Cuban music. If you like Cuban music, Mi Oriente is highly recommended. Just don't expect to be overwhelmed by virtuosity or any originality. (H.L./Amazon)
Fraaie vlucht door de carriere van deze Buena Vista Social Club-zanger, met werk uit diverse stadia van z'n carriere van begin jaren '60 tot begin jaren '80 (dus ruim vóórdat hij met BVSC, oude man inmiddels, wereldberoemd werd). Bepaald geen haastig in elkaar gedraaid cash-in-verzamelaartje, maar een met zorg samengesteld portret, waarvoor vele briljantjes zijn 'opgegraven'.
Opvolger van het succesvolle 'Buena Vista Social Club presents' uit 1999 van de zanger van genoemd Cubaans oude heren-gezelschap. Een Ry Cooder-productie, mmv Blind Boys Of Alabama, Chucho Valdes, Jim Keltner, Flaco Jimenez, Cachaito Lopez.
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