Catalogus

Sonate G-Dur : für Querflöte und Basso continuo (cop. 1968)

Brilliance indéniable : The Virtuoso Violin In The Court Of Louis XV (2020)

"Alana Youssefian’s debut disc comprises accurate, idiomatic and technically accomplished accounts of selected sonatas and rococo pseudo-chamber symphonies by the French violinist Louis-Gabriel Guillemain, a pupil of Giovanni Battista Somis and a violinist at the court of Louis XV. (...) Le Bien-Aimé (violin, cello and harpsichord) provides solid support and shows commendable sensitivity to expressive melodic and harmonic detail, particularly in the Allemanda of the two-movement op.1 no.6. Ensemble interplay is excellent – sample the finale of op.14 no.2 – and cellist Matt Zucker occasionally shows his mettle in a more prominent role, notably in op.1 no.3. The resonant church acoustic and clear, natural recording serve these players well in terms of blend and balance."(thestrad.com)

Brilliance indéniable : The Virtuoso Violin In The Court Of Louis XV (2020)

"Alana Youssefian’s debut disc comprises accurate, idiomatic and technically accomplished accounts of selected sonatas and rococo pseudo-chamber symphonies by the French violinist Louis-Gabriel Guillemain, a pupil of Giovanni Battista Somis and a violinist at the court of Louis XV. (...) Le Bien-Aimé (violin, cello and harpsichord) provides solid support and shows commendable sensitivity to expressive melodic and harmonic detail, particularly in the Allemanda of the two-movement op.1 no.6. Ensemble interplay is excellent – sample the finale of op.14 no.2 – and cellist Matt Zucker occasionally shows his mettle in a more prominent role, notably in op.1 no.3. The resonant church acoustic and clear, natural recording serve these players well in terms of blend and balance."(thestrad.com)

Allegro pour violon et piano (cop. 1923)