"In the title-track of his second album, Malian guitarist Oumar Konaté shouts out to his sister, warning her about gunfire and violence in the streets. Konaté's Maya Maya comes from a country in turmoil. Shifting between acoustic melancholy ("Wango Maben") and hard rock ("Hinchi Hinchi"), Konaté and his power trio are 21st-century West African millennials slammed by geopolitics, shocked by an uncertain future, and stymied by fundamentalism, corruption, and failed economies. Known to friends simply as "le Maestro," Konaté is a guitar genius." (Womex)
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