"With the group’s latest offering, Hope, we find Ribot in the mood to talk. Take, for instance, the opening number, “B-Flat Ontology,” from Hope, Ceramic Dog’s latest recording. It’s a bit of punk-ass, talking blues with lyrics visceral and true questioning the meaning of fame and the fawning over fame. Hope is not a jazz record, other than its anything-goes sensibility, but Ribot has credentials as a guitarist and artist who can morph into any style and still come out sounding only like himself, which is central to the jazz aesthetic. There’s a great deal of anger here, fueled by Ribot’s concerns over COVID, a president he despised, global warming and not being able to see the ones he loved due to the pandemic. It’s a raw, honest album, one most of us can absolutely understand. It’ll make you want to throw a fist in the air and shout, “Hell, yes!”" (DownBeat.com)
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