Album pick op Allmusic: "This unusual set (reissued on CD by Blue Note) was one of the most successful uses of a gospel choir in a jazz context. Trumpeter Donald Byrd and a septet that also includes tenor saxophonist Hank Mobley, guitarist Kenny Burrell, and pianist Herbie Hancock are joined by an eight-voice choir directed by Coleridge Perkinson. The arrangements by Duke Pearson are masterful and one song, "Cristo Redentor," became a bit of a hit. This is a memorable effort that is innovative in its own way, a milestone in Donald Byrd's career." (Scott Yanow, Allmusic)
"Donald Byrd's 1961 recording "Free Form" is both a smorgasbord of modern jazz styles and a breakthrough album showing the Detroit born trumpeter's versatility and interest in diversity. At age 30, turning down offers to teach and a full decade before turning to commercial funk fusion with his Blackbyrds, Byrd, alongside a wonderful collection of jazz professionals, proves his mettle as an individualist while also stylistically straddling the blurred lines of jazz. Where his brass tone is very lean and toned, he does not resort to outlandish outbursts into the ionosphere, but shows a refined yet daring approach removed from his predecessors or peers -- Clifford Brown and Lee Morgan in particular. With tenor saxophonist Wayne Shorter, a very young pianist Herbie Hancock, drummer Billy Higgins, and bassist Butch Warren, Byrd tackles different flavors of jazz with a voracious appetite, and delivers a very fresh perspective from them all. This may be close to Byrd's best early work." (Michael G. Nastos, Allmusic)
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