If Spanish music from the Renaissance has become increasingly appreciated in recent decades that from the turn of the 19th century remains a blur for many. Not so for Emilio Moreno who in addition to his musical expertise inthe Baroque and Classical, especially that gained through long association with the Orchestra of the 18th Century has become something of a specialist in the music of the Age of Enlightenment in Spain. Moreno has been combining Herculean labours transcribing the scores of tonadillas from two centuries past with bringing their populist texts and music to audiences of the 21st century both with singular success. (...)
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